COMPOSER / LYRICIST
As a commissioned composer I can create anything you need. I am fluent in just about every musical genre, and am most often asked for musical satire or "sound alikes" - which were featured heavily in my scores for The Conciliation Project productions. When composing for myself I tend
toward blendings of R & B, rock and latin jazz, having been heavily influenced by Cole Porter, Aretha Franklin, Stevie Wonder and Antonio Carlos Jobim. My personal lyrics are in the "literate" style of writers like Diane Warren, the Bergmans, Janis Ian, Carole Bayer Sager and Johnny Mercer.
As a lyricist-for-hire I can create a song from a journal entry, a monologue, verse or however you choose to express yourself. I have adapted works of Shakespeare - prose, verse and sonnets to every conceivable musical style; set melodies to translated verse by Brecht and Moliere; and adapted the Psalm translations of Eugene H. Peterson to contemporary pop songs. One of my collaborators from years ago would write lyrics to existing songs that felt the way he thought the "moment" should feel, not tell me what the song was he used as a template, then I would compose to his lyrics. There are any number of ways to make it work!
TELEVISION SHOWS COMPOSED/ORCHESTRATED
GRAHAM KERR'S GATHERING PLACE (PBS)
RAINIER: THE MOUNTAIN (KCTS)
VAUDEVILLE: An American Masters Special (PBS)
THINGS THAT AREN'T HERE ANYMORE (KCTS) - [Emmy Nomination]
REAL LIFE - Scholastic Video Series (24 episodes)
DEATH: THE TRIP OF A LIFETIME (PBS)
SNOW WHITE AND THE SEVEN DWARFS (KINGTV Movie) - [Emmy Award]
THEATRE PRODUCTIONS COMPOSED
Full Musicals:
The Conciliation Project:
YELLOW FEVER: The Internment
GENOCIDE TRAIL: A Holocaust Unspoken
uncle tom deconstructed
MAKE A JOYFUL NOISE!
DON'T EAT THE COLESLAW (World Premiere - Moscow, Russia)
THE FOUR FACES OF LOVE (co-composer)
WE DON'T TALK ABOUT IT
WHERE IS NORMA JEAN?
HOLIDAY (unproduced)
Revues:
THE LADIES WITH A SONG (Special Material)
HOPES, DREAMS AND PAYCHECKS (Contributing Composer)
DÉJÀ VU - ALL OVER AGAIN (Contributing Composer)
NEW WORLD SYMPLICITY
CARDS (Contributing Composer)
Plays with Music:
AS YOU LIKE IT
THE LION IN WINTER
A MIDSUMMER NIGHT'S DREAM
MUCH ADO ABOUT NOTHING
THE MUSICAL COMEDY MURDERS OF 1940
Incidental Music:
CHARLEY'S AUNT
THE GLASS MENAGERIE
LOVE'S LABOURS LOST
OF MICE AND MEN
PICNIC
PLAY STRINDBERG
ROMEO AND JULIET
THE SEVEN YEAR ITCH
TEN LITTLE INDIANS
WHO'S AFRAID OF VIRGINIA WOOLF?
RECORDINGS COMPOSED FOR
HAVE YOURSELF A DIVALYCIOUS CHRISTMAS (8 songs) Divalycious
IN THE BEGINNINGS - David Duvall
INTO THE BLUE - David Duvall
MAKE A JOYFUL NOISE (a.k.a. The Psalm Cantata) - David Duvall & Friends
MY HEART SINGS - Marlene Anderson
WHO WILL BELIEVE MY VERSE IN TIME TO COME? - David Duvall
Samples
Vocal:
THE WAY CHRISTMAS USED TO BE |
|
BOUNCING BACK BABY |
|
DECEMBER'S BARENESS EVERYWHERE |
|
DON'T BE AFRAID |
|
IT WAS A LOVER AND HIS LASS |
|
HE GUARDS YOU NOW, HE GUARDS YOU ALWAYS |
|
DON'T LOSE A MINUTE |
|
COUNT YOURSELF LUCKY |
|
TAKE ALL MY LOVES |
|
Instrumental:
DEATH: The Trip Of A Lifetime - Main Theme |
|
"FOR CAROLE" RAG |
|
SAILING THE SOUND |
|
FISH LADDER |
|
IN THE GARDEN |
|
PSALM 23 |
|
COMPOSER CLIENT LIST
Marlene Anderson
James Caddell
Laurie Clothier
The Conciliation Project
Sheldon Craig
Divalycious
Heartsong Institute
Brittany D. Henderson
KCTSTelevision
Graham Kerr
KINGTV
Christine MacNeal
Mountain View Presbyterian Church
Jayne Muirhead
Greg Palmer (Producer)
Tacoma Little Theatre
ENDORSEMENTS
In 1990 I was commissioned by PBS to produce, write and host an international documentary series on the wide variety of societal responses to grief, dying and death around the world. This was an extremely complex and difficult project, more than three years in production. One of the most artistically challenging aspects was the musical score, which required a stylistic and thematic cohesion throughout the four programs while accompanying and enhancing indigenous music from many different religions and cultures, including the Ashanti of Ghana, Southern American black gospel, Western European classical, Zen Buddhist, and the sometimes sad, sometimes sprightly funereal music of the Irish, Mexicans, Chinese, Indians, Native Americans, Japanese, Israelis, Welsh, Maori, Australian Bungalung, and many others. Because of an extremely successful collaboration with DAVID DUVALL on a previous project, he was hired as the composer for Death: The Trip of a Lifetime. Working with a limited budget, Mr. Duvall created (and mostly performed) a score that was brilliant in meeting our objectives. Death was first broadcast internationally in 1993, and has been seen hundreds of times since, always to acclaim.
Because of his great success with the Death project, I subsequently hired Mr. Duvall to compose the score for Vaudeville: An American Masters Special, which I conceived, wrote and produced. Here the challenge was to create incidental music that would link film clips of almost 90 different vaudeville acts, ranging from 1898 to 1944 and from dancing bears to Burns & Allen; in other words, new music that was cohesive for the entire two-hour program but still fit the period and style of the disparate vaudeville acts. Again Mr. Duvall's work was outstanding; his knowledge of and sensitivity to musical history, as well as his musicianship, are unparalleled and exactly what the program needed. In 1997, Vaudeville was named one of the ten outstanding television programs of the year, and the best variety special, by People Magazine. It also garnered the largest audience to that time of any American Masters presentation.
David Duvall is a brilliant composer, a great artist who is also easy to work with, fast on his keys, and dedicated to the task at hand. I cannot recommend him highly enough. ![]()
- Greg Palmer, Emmy-winning Writer/Producer
I've had the pleasure of singing David's origial compositions for over 20 years. He creates moods and evokes rich emotions with his melodies and lyrics. Admittedly, some of his songs are so poignant and perfectly focused they are difficult to sing, which is exactly why they must be performed! He understands human nature so well and captures all the longing, dreaming, pain and joy.
![]()
- Laurie Clothier, vocalist


